From August, 2020

Review: Afterlife by Julia Alvarez

Julia Alvarez’s new novel begins with verse, not prose, in a prologue titled “Broken English.” Her narrator Antonia Vega recalls the death of her husband in a car accident a year ago: “she keeps asking / Where are you? / as this is the only way she knows / Can you help me find him? / how to create an afterlife for him.” The prologue’s title points to the racism that Antonia, a Dominican-American literature professor in rural Vermont, faces as she “teach[es] Americans their own language.” But it also depicts poetry, with its line breaks and often unpredictable rhythms,…

Close Reading Series: Morgan Levine on “Sonnet”

The Close Reading Series invites our board editors to write about a favorite piece from our Spring 2020 issue. These readings are not intended to be definitive interpretations; when we read, we bring with us our own histories, experiences, and references, all of which guide our relationship to the work before us. It is possible,…

Everything is Personal, This is Personal Too

Editor Emmi Mack reviews Laurie Stone’s latest collection, Everything is Personal: Notes on Now. In her latest collection of hybrid nonfiction, Everything is Personal: Notes on Now, Laurie Stone presents her thoughtful brand of cultural criticism through deeply intimate snapshots of memoir. Her perceptions of art, both contemporary and what’s stuck with her for decades,…