Sunday Staff Picks: November 29th

The Hollow Places by T. Kingfisher The Hollow Places opens with a life in turmoil. T. Kingfisher introduces us to her protagonist, Kara (also known as Carrot), as she moves into her uncle’s museum of oddities following a disruptive divorce. The nostalgic setting and friendly faces help put her at ease, but a disturbing discovery shows her that terror is right around the corner or, more precisely, through a strange hole that appears in a wall of her uncle’s beloved museum. Inside of this opening, Kara discovers a passage to another world.  The Hollow Places follows Kara and Simon, an…

Sunday Staff Picks: November 22nd

Must I Go by Yiyun Li Lilia, an 81-year-old mother of five, grandmother of seventeen, and widow of three, is the anchor of Yiyun Li’s new novel “Must I Go.” Jaded and apathetic, Lilia is described first at the beginning of the novel in third-person narration; we later come to know her more personally through her annotations in the posthumous diary of Roland Bouley, an ex-lover. Her brief notes, assumed to be scribbled on the margins of the diary’s pages, recount the short affair they had when she was a teenager, which resulted in her pregnancy with his daughter, Lucy,…

Sunday Staff Picks: November 15th

Pricks in the Tapestry by Jameson Fitzpatrick The thread that ties together Jameson Fitzpatrick’s writings in Pricks in the Tapestry is not linear; there is neither chronology nor anachronism, development nor necessary trajectory. Stanza to stanza, page to page, poem to poem, speaker to speaker: the speakers don’t strive to be unified or explained. Forming a carefully tangled web, the the collection constitutes various selves submerged in a confusing world of sex, gender, race, class, family, and history. The force that moves the reader across the web from locus to locus, allowing disparate ideas and feelings to connect to one…

Sunday Staff Picks: November 1st

Obit by Victoria Chang Grief scatters us. In Obit, Victoria Chang attempts to put us back together.  Chang writes to document her mother’s 2015 death and her father’s 2009 frontal lobe damage, but her poems truly rest in the innumerable micro-deaths in between. The death of the mother is simultaneously the death of the mother’s teeth; of appetite; of language; of hindsight; of Victoria Chang.  The book largely consists of 70-odd obits: vertical, dense, tombstone-like poems, each dedicated to a specific loss. Through this rigid form, she entertains, and ultimately rejects, the objectivity and finality of newspaper obituaries. Instead, Chang…

Sunday Staff Picks: October 25th

White Blood: A Lyric of Virginia by Kiki Petrosino Kiki Petrosino’s White Blood: A Lyric of Virginia starts with a stunning prelude, in which the reader, absorbed into the second person speaker, is taken on a chase sequence through a moving train.  Engaging – in pursuit? combat? collaboration? – with the speaker’s ancestors, the poem ends with a ghostly image and then an utterance “O- / you begin.” So the book begins. Petrosino orbits topics of ancestry, and history, all while constructing one of the strongest arguments in favor of form in recent years. The text is interspersed with erasures (similar to the Petrosino…

Sunday Staff Picks: October 18th

The Discomfort of Evening by Marieke Lucas Rijneveld Marieke Lucas Rijneveld’s The Discomfort of Evening, winner of this year’s International Booker Prize, begins with loss: the elder son of the Mulder family, Matthies, drowns in a tragic skating accident, leaving his family to contend with his death and attempt to distribute the loss between themselves. The novel is narrated by his ten-year old sister, Jas, who takes on the role of translator for her family’s grief. Through her stark observations, we witness the slow unraveling of a family unit set against the bleak landscape of their farm in the conservative…

Sunday Staff Picks: October 11th

Grieving: Dispatches from a Wounded Country by Cristina Rivera Garza Earlier this week, Mexican author Cristina Rivera Garza was awarded the MacArthur “Genius” Grant. A writer of enormous talent and erudition, Garza is also the author of the most fascinating book I read this year. Grieving: Dispatches from a Wounded Country is a collection of short forms that circle issues of state violence in contemporary Mexico. Garza’s project investigates the fault lines between the political and the personal, the body of the collective and the body of the individual. In attempting to write on, or through, this subject, Garza takes…

Making It Plausible: A Conversation With Andrew Martin

Cool for America / Andrew Martin / Farrar, Straus and Giroux, 07/2020 – $27 (Hardcover) Interview conducted by David Ehmcke I first encountered Andrew Martin’s remarkable fiction after the publication of his fabulous first novel Early Work. Since then, I’ve been anticipating the publication of his short story collection, Cool for America, in which he assembles…

Jihyun Yun: On Food and the Language of Intimacy

An interview conducted by Maddie Woda Jihyun Yun was first published in The Columbia Review‘s 100th Volume with her piece, “The Leaving Season.” Yun’s writing uses food—its preparation, consumption, and cultural significance—to reflect on themes like womanhood and familial grief. Her first book of poetry (which includes “The Leaving Season”) won the Prairie Schooner Book Prize…

Starving and Sated

Editor (now alumna) Maddie Woda reviews Jihyun Yun’s first collection, Some Are Always Hungry. In 2016, I stumbled upon Jihyun Yun’s poem “Recipe: Dak-dori-tang” in BOAAT. A freshman in Columbia’s English program, I was beginning to develop my taste for poetry. I liked narration, freshness, unapologetic earnestness. I did not want too much room for interpretation, worried I’d fall through the cracks and say something ridiculous in class. I preferred James Wright to John Ashbery. I could not name any poets who were not deceased white men.  I read “Recipe: Dak-dori-tang” and immediately fell in love with Yun’s style. While…