The Columbia Review: I mean, it’s a little unconventional to do the interview post-Q&A, but I don’t think this film is at all conventional. But,…
Film Review: “Hind’s Hall”
If I were to describe the experience of watching Hind’s Hall in one word, it would be visceral. The film, which is a docu-fiction produced…
Review: THE WESTERN IS A SPEECH ACT. RUN TIME APPROX 20 MIN
Mid-September, I attended an exposition of local and regional experiments in text and sound hosted by Opus 40, an upstate museum and sculpture park located…
Sunday Staff Picks: November 26th
Mona Awad’s Rouge is obsessed with reflections— self-perceptions and the distortions that arise when we stare too long into ourselves. The novel centers around Mirabelle,…
Sunday Staff Picks: November 5th
An unfiltered honesty defines Samantha Irby’s Quietly Hostile. A collection of seventeen, personal essays, the book offers a cacophonous blend of uproarious humor and intimate…
Sunday Staff Picks: October 28th
Nicole Chung’s Living Remedy is the first memoir I’ve read that made me cry. Part of this lies in the subject matter. The first section…
Review: Conspiracist Manifesto
Valentina Desidiri and Stefano Harney start their essay “A Conspiracy Without A Plot” with a hell of a provocation: “Today it is not possible to…
“Veraison” By Peter Kline
“Veraison” By Peter Kline I didn’t know what I was feeling.If I had changed it was like the change of cancer,disobedience flickering like a broken…
“I Love You Snakeface” By Olivia Treynor
“I Love You Snakeface” By Olivia Treynor It was the start of summer: my mother driving, her fingers clutching the steering wheel with a grip…
Sunday Staff Picks: April 16th
Fred Moten’s perennial fashion presence falling revels in the full sensuous range of poetic language as aural and visual medium. Animated by homonymous play and…