Pricks in the Tapestry by Jameson Fitzpatrick The thread that ties together Jameson Fitzpatrick’s writings in Pricks in the Tapestry is not linear; there is…
Sunday Staff Picks: November 1st
Obit by Victoria Chang Grief scatters us. In Obit, Victoria Chang attempts to put us back together. Chang writes to document her mother’s 2015 death…
Sunday Staff Picks: October 25th
White Blood: A Lyric of Virginia by Kiki Petrosino Kiki Petrosino’s White Blood: A Lyric of Virginia starts with a stunning prelude, in which the reader, absorbed…
Sunday Staff Picks: October 18th
The Discomfort of Evening by Marieke Lucas Rijneveld Marieke Lucas Rijneveld’s The Discomfort of Evening, winner of this year’s International Booker Prize, begins with loss:…
Sunday Staff Picks: October 11th
Grieving: Dispatches from a Wounded Country by Cristina Rivera Garza Earlier this week, Mexican author Cristina Rivera Garza was awarded the MacArthur “Genius” Grant. A…
Starving and Sated
Editor (now alumna) Maddie Woda reviews Jihyun Yun’s first collection, Some Are Always Hungry. In 2016, I stumbled upon Jihyun Yun’s poem “Recipe: Dak-dori-tang” in…
Review: Afterlife by Julia Alvarez
Spencer Grayson reviews Julia Alvarez’ Afterlife. Julia Alvarez’s new novel begins with verse, not prose, in a prologue titled “Broken English.” Her narrator Antonia Vega…
Close Reading Series: Morgan Levine on “Sonnet”
The Close Reading Series invites our board editors to write about a favorite piece from our Spring 2020 issue. These readings are not intended to…
Everything is Personal, This is Personal Too
Editor Emmi Mack reviews Laurie Stone’s latest collection, Everything is Personal: Notes on Now. In her latest collection of hybrid nonfiction, Everything is Personal: Notes…
Close Reading Series: Spencer Grayson on “Newly, rendered, truly”
The Close Reading Series invites our board editors to write about a favorite piece from our Spring 2020 issue. These readings are not intended to…